The Russell Cawthorn Collection
The Great War 1914-1918, and Associated Conflicts Theatre and Cinema
RCC8032
The First World War and Popular Cinema: 1914 to the Present
ISBN
0813528259
Purchase Price
£30.99 (new)
Date Purchased
March 2, 2021
Publisher
Rutgers University Press (2000, New Brunswick, New Jersey)
Notes
This book was first published by Edinburgh University Press in 199. It is a collection of essays on various aspects of cinema through the period 1914 to the present, written by academics from across the world, as follows: 1. "Cinema and the Memory of the Great War"; by Pierre Sorlin, Professor of Sociology at the Audiovisual Media at the Universite de la Sorbonne Nouvelle, Paris. 2. "Official British Film Propaganda"; by Nicholas Reeves, a British Film Archivist who had worked on the history of film propaganda for many years. 3. "Enduring Heroes: British Feature Films and the First World War 1919-1997"; by Professor Michael Paris, Professor of Modern History at the University of Central Lancashire. 4. "The ANZAC and the Sentimental Bloke: Australian Culture and Screen Representations of World War One"; by Ina Bertrand, Associate Professor in the Department of Media Studies at La Trobe University, Bundoora, Australia. 5. "Canadian Film and the First World War"; by Tim Travers, Professor of History at the University of Calgary, Alberta. 6. "France: the Silent Memory"; by Pierre Sorlin (see above). 7, "The United States Film Industry and World War One"; by Leslie Midkiff Debauche, Professor of Communications at the University of Wisconsin-Stevens Point. 8. "The Representation of the Great War in the Italian Cinema"; by Nobili Vitelleschi, who taught Film Studies at the Foundation di Studi Storia dell'Arte Roberto Longhi in Florence. 9. "A War Forgotten: The Great War in Russian and Soviet Cinema"; by Denise J. Youngblood, Professor of History and Director of the Russian and East European Studies Program at the University of Vermont. 10. "Between Parochialism and Universalism: World War One in Polish Cinematography"; by Ewa Mazierska, a Lecturer at the Institute of Methodology in Warsaw and later Senior Lecturer in Film and Media Studies at the University of Central Lancashire. 11. "The Experience of the First World War and the German Film"; by Rainer Rother, who had taught at the Universities of Hannover and Saarbrucken, later Curator of Exhibitions at the Deutsches Historisches Museum in Berlin. 12. "Where is the War? Some Aspects of the Effects of World War One on Austrian Cinema"; by Franz Marksteiner, Editor of Meteor (Vienna), publishers of books and journals on film and media.
0813528259
Purchase Price
£30.99 (new)
Date Purchased
March 2, 2021
Publisher
Rutgers University Press (2000, New Brunswick, New Jersey)
Notes
This book was first published by Edinburgh University Press in 199. It is a collection of essays on various aspects of cinema through the period 1914 to the present, written by academics from across the world, as follows: 1. "Cinema and the Memory of the Great War"; by Pierre Sorlin, Professor of Sociology at the Audiovisual Media at the Universite de la Sorbonne Nouvelle, Paris. 2. "Official British Film Propaganda"; by Nicholas Reeves, a British Film Archivist who had worked on the history of film propaganda for many years. 3. "Enduring Heroes: British Feature Films and the First World War 1919-1997"; by Professor Michael Paris, Professor of Modern History at the University of Central Lancashire. 4. "The ANZAC and the Sentimental Bloke: Australian Culture and Screen Representations of World War One"; by Ina Bertrand, Associate Professor in the Department of Media Studies at La Trobe University, Bundoora, Australia. 5. "Canadian Film and the First World War"; by Tim Travers, Professor of History at the University of Calgary, Alberta. 6. "France: the Silent Memory"; by Pierre Sorlin (see above). 7, "The United States Film Industry and World War One"; by Leslie Midkiff Debauche, Professor of Communications at the University of Wisconsin-Stevens Point. 8. "The Representation of the Great War in the Italian Cinema"; by Nobili Vitelleschi, who taught Film Studies at the Foundation di Studi Storia dell'Arte Roberto Longhi in Florence. 9. "A War Forgotten: The Great War in Russian and Soviet Cinema"; by Denise J. Youngblood, Professor of History and Director of the Russian and East European Studies Program at the University of Vermont. 10. "Between Parochialism and Universalism: World War One in Polish Cinematography"; by Ewa Mazierska, a Lecturer at the Institute of Methodology in Warsaw and later Senior Lecturer in Film and Media Studies at the University of Central Lancashire. 11. "The Experience of the First World War and the German Film"; by Rainer Rother, who had taught at the Universities of Hannover and Saarbrucken, later Curator of Exhibitions at the Deutsches Historisches Museum in Berlin. 12. "Where is the War? Some Aspects of the Effects of World War One on Austrian Cinema"; by Franz Marksteiner, Editor of Meteor (Vienna), publishers of books and journals on film and media.
