The Russell Cawthorn Collection
The Great War 1914-1918, and Associated Conflicts Music in the War
Popular Song in the First World War
by John Mullen
ISBN
9780367585396
Purchase Price
£30.70 (new)
Date Purchased
February 13, 2021
Publisher
Routledge (Taylor & Francis Group) (2019, Abingdon Oxon & New York)
Notes
This book is part of the Ashgate Popular and Folk Music Series, Series Editor Stan Hawkins, Professor of Popular Musicology, Oslo University, and Lori Burns, Professor at the University of Ottawa. It is a series of essays as follows: PART I What Voices can be Heard in Wartime Popular Song? 1. "What voices can be heard in British music hall songs of the First World War" by John MUllen 2. "French popular song at the front during the Great War" by Eric Sauda, a classical and jazz musician with a PhD from Sorbonne University. 3. "German soldier songs in the First World War and beyond" by Andre Rottgeri, who taught at the University of Passau and the University of Paderborn in Germany. 4. "The music of war resistance in Britain, 1914 - 1918" by Clive Barrett , Chair of the Peace Museum, Bradford, a priest in the Church of England, and Visiting Fellow in Theology and Religious Studies at the University of Leeds. 5. "In search of the French anti-war song, "The Chauson de Craonne"" by Guy Marival, author of a complete book on this particular song. PART II Gender, commercial song and war. 6. "Couples in French popular song and the challenges of the Great War" by Anne Simon, author of the only full length historical study of French popular song during the First World War. 7. Masculinity, war and song in America, 1917 - 1918" by Christina Gier, Associate Professor of Musicology at the University of Alberta. 8. "From tulips and curls to donuts and jazz. The representation of women in American popular and soldier songs during the First World War" by Amy Wells, Associate Professor at the University of Caen, Normandie. 9. "Staging the nation. Claire Waldoff and Berlin cabaret before and during the Great War" by Melanie Schiller, Assistant Professor of Media Studies and Popular Music in the Arts, Culture and Media Department of the Rijksuniversiteit Groningen, Netherlands. PART III The expression of national and social identities 10. "We shall get there in time. Contemporary responses to the First World War by New Zealand song writers" by Chris Bourke, a New Zealand Music Historian. 11. "Irish songs of World War 1" by Erick Falcher-Poyroux, Senior Lecturer and Head of the Language Department of the Graduate School of Engineering, University of Nantes. 12. "Popular music and eroticism. The Spanish cuple during the years of the First World War" by Lidia Lopez, Associate Professor at the Autonomous University, Barcelona. 13. "A business without an industry. The Portuguese music business in turbulent times" by Pedro Felix, a researcher at INET-MS and also attached to the Fado Museum in Lisbon. 14."Early popular songs during the Great War outside of Serbia", by Aleksic, Vasiljevic, and Bajic, all Serbian academics.
9780367585396
Purchase Price
£30.70 (new)
Date Purchased
February 13, 2021
Publisher
Routledge (Taylor & Francis Group) (2019, Abingdon Oxon & New York)
Notes
This book is part of the Ashgate Popular and Folk Music Series, Series Editor Stan Hawkins, Professor of Popular Musicology, Oslo University, and Lori Burns, Professor at the University of Ottawa. It is a series of essays as follows: PART I What Voices can be Heard in Wartime Popular Song? 1. "What voices can be heard in British music hall songs of the First World War" by John MUllen 2. "French popular song at the front during the Great War" by Eric Sauda, a classical and jazz musician with a PhD from Sorbonne University. 3. "German soldier songs in the First World War and beyond" by Andre Rottgeri, who taught at the University of Passau and the University of Paderborn in Germany. 4. "The music of war resistance in Britain, 1914 - 1918" by Clive Barrett , Chair of the Peace Museum, Bradford, a priest in the Church of England, and Visiting Fellow in Theology and Religious Studies at the University of Leeds. 5. "In search of the French anti-war song, "The Chauson de Craonne"" by Guy Marival, author of a complete book on this particular song. PART II Gender, commercial song and war. 6. "Couples in French popular song and the challenges of the Great War" by Anne Simon, author of the only full length historical study of French popular song during the First World War. 7. Masculinity, war and song in America, 1917 - 1918" by Christina Gier, Associate Professor of Musicology at the University of Alberta. 8. "From tulips and curls to donuts and jazz. The representation of women in American popular and soldier songs during the First World War" by Amy Wells, Associate Professor at the University of Caen, Normandie. 9. "Staging the nation. Claire Waldoff and Berlin cabaret before and during the Great War" by Melanie Schiller, Assistant Professor of Media Studies and Popular Music in the Arts, Culture and Media Department of the Rijksuniversiteit Groningen, Netherlands. PART III The expression of national and social identities 10. "We shall get there in time. Contemporary responses to the First World War by New Zealand song writers" by Chris Bourke, a New Zealand Music Historian. 11. "Irish songs of World War 1" by Erick Falcher-Poyroux, Senior Lecturer and Head of the Language Department of the Graduate School of Engineering, University of Nantes. 12. "Popular music and eroticism. The Spanish cuple during the years of the First World War" by Lidia Lopez, Associate Professor at the Autonomous University, Barcelona. 13. "A business without an industry. The Portuguese music business in turbulent times" by Pedro Felix, a researcher at INET-MS and also attached to the Fado Museum in Lisbon. 14."Early popular songs during the Great War outside of Serbia", by Aleksic, Vasiljevic, and Bajic, all Serbian academics.